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AN ARTISTIC DANCE COOPERATION
HABIBI 2196-18
It does not really matter where the prisoner of his own fear is. His cell does not have an exit, nor has his situation a resolution. By fearing our true selves, we constantly carry our cells with us and the only world which remains is the world of our images of what would happen, if…
FABRIC BODY MOVE
Andrej Petrovič and Maroš Baran cooperated on the research topic of the influence of costume on movement material and vice versa - to study the impact of movement material on the costume itself.
SALOME
The story of the fateful Salome is a personal insight and inspiration for several of the world's literary works and the Biblical New Testament.
AS LONG AS HOLDING HANDS
A confrontation of ideas about the ideal relationship and the reality of what it means to truly build a romantic relationship shaped into an expressive, bodily image.
“They got married and lived together till death did them part.”
POSES/ESSENCES/TRAPS
Confrontation with our own reality.
SAFE ZONE
Everyone has his own safe zone.
TRUST
Do you trust me?
OPENCALL
It´s a statement of incurable loneliness.
UP SIDE DOWN
The essence of inflatable objects is air, not plastic.
FEEL (IN)VISIBLE
information about this project will be coming soon
THY HAND BELINDA - TRIBUTE TO PINA BAUSCH
information about this project will be coming soon
CHEWING GUM COMPANY
information about this project will be coming soon
FLIP FLOP
Make or Break
BODIES GARDEN - DREAMLAND
Students performance of Academy of Performing Arts in Bratislava
HABIBI 2196-18
Choreography: Yuri Korec
Dramaturgy: Jakub Turčan
Performance: Lukáš Zahy
Light Design: Jojo blue
Music: Oliver Stotz
Video: Markus Huber
Video Cut/Animation: Petra Hinterberger
Graphic Design: Ivana Kleinová
Idea: Helene Weinzierl, Erich Rudolf & Yuri Korec
Production: Skrzprst
Co-production: CieLaroque
The arabic word Habibi is a male connotation of darling or my beloved. The dance performance of an Austrian choreographer Helene Weinzierl Habibi Problem was inspired by a true story of two Iranian gay teenagers and their problems caused by the inacceptable otherness of their love. While one of them was killed by the authorities of his own country at the age of 17, the other lived in the UK exile under a constant threat of deportation back to his country.
Ten years later, Slovak choreographer Yuri Korec, who is the co-author and performer of the original version of this work, presents a renewed dance performance called Habibi 2196-18 within the context of the question of otherness in the Eastern European region.
trailer: https://vimeo.com/314490100
and more:
FABRIC BODY MOVE
koncept: ANDREJ PETROVIČ, MAROSBARAN
choreography: ANDREJ PETROVIČ
costume: MAROSBARAN
dance material, dancers: EVA PRIEČKOVÁ, LUKÁŠ ZAHY
music: CYLC
production: NEW SPACE
Andrej Petrovič and MarošBaran cooperated on the research topic of the influence of costume on movement material and vice versa - to study the impact of movement material on the costume itself. The research works with the concept of limitations and the physical limits of the dancer's body that the clothing / costume causes or removes.
and more:
http://www.artbookscoffee.sk/index.php/2018/03/20/fabric-body-move/
SALOME
Roles and cast:
Salome: Viktória Komolíková
Herodiada: Alica Kuchtová
Herodes: Lukáš Záhorák
John Babtist: Michal Toman
Luna: Silvia Sviteková
Light dizajn: Jozef Miklós
Music edit/mix: Peter Groll
Choreography, concept and direct: Emil Leeger
The story of the fateful Salome is a personal insight and inspiration for several of the world's literary works and the Biblical New Testament.
Specifically, Oscar Wilde wrote it in 1894, so after 124 years this version comes under the auspices of the studio ARTEATRO / Chamber alternative space for physical act /
The aim of this dramatization is also to develop genre syncretism in the field of physical theater in Slovakia.
trailer: https://www.youtube.com/watch?v=453RqoQGFQs&feature=emb_title
AS LONG AS HOLDING HANDS
Concept, choreography, dance: Tereza Ondrová, Peter Šavel
Dancing on Aug 5th and Sept 25th 2019: Lukáš Zahy, Peter Šavel
Dramaturgy: Bram Smeyers
Movement cooperation: Lucia Kašiarová
Outside Eye: Karolína Hejnová
Lighting design: Ints Plavnieks
Costumes: Mariana Novotná
Producer: danceWATCH – Karolína Hejnová
Main co-producer: Tanec Praha
Co-production: NorrlandsOperan Umeå, CNC Roubaix – Ballet du Nord, Plesni Teater Ljubljana, ALT@RT
Supported by: Ministerstvo kultury ČR, Accueil studio, Ballet du Nord- Olivier Dubois, Centre Chorégraphique Nationale de Roubaix Nord-Pas de Calais
“They got married and lived together till death did them part.”
In their latest project the Czech-Slovak duo of creators have embarked on a journey of discovery of various forms of romantic relationships which know no obstacles of age or gender. Two people, two bodies, two separate identities fighting for love and exploring the boundaries of humility and loss of identity, dependence and sharing, honesty and deceit, love and hate. A confrontation of ideas about the ideal relationship and the reality of what it means to truly build a romantic relationship shaped into an expressive, bodily image.
The movement between Tereza and Peter arises from constant communication between “you and I” in harmony and dissent, both gracefully and awkwardly. With humour and passion, open to one another and for one another, they embark together with the audience on a journey into relationships. Each seemingly hopeless situation is an impetus for returning to the question: Do you still want to hold my hand?
We keep on re-visiting the forms of relationships and their unrestrictedness. In the performance on 5th August and 25th of September a slovak dancer Lukas Zahy appears on Peter Savel's side on the stage and dances the part of the co-creator Tereza Ondrová.
photos soon
POSES/ESSENCIES/TRAPS
Happening-instalation in A4 (space of contemporary culture)
During festival of authorial theater Protéza Debris Company presented happening-instalation with students of Academy of Performing Arts in Bratislava
videoclip:
photos: Ctibor Bachratý
SAFE ZONE
Performance on a contemporary music festival AsynChronie
Concept, composer, live electronics: Veronika Škutová
Accordion: Kamilė Čekauskaité
Performers: Silvia Sviteková a Lukáš Zahy
Video: Vladimír Slaninka
Everyone has his own safe zone. This piece is about escaping from the safe zone to find something new and interesting. Nothing is perfect, so this escape could be a fail.
video:
TRUST
Students performance of Academy of Performing Arts in Bratislava
Choreography: Andrej Petrovič
Dramaturgy: Kateřina Quisová
Music: Barbora Tomášková
Scenography and costume: Terézia Kosová a Anna Revická
Performers: Viktória Komolíková, Rebecca Smudová, Silvia Sviteková, Lukáš Záhorák, Mária Lazúrová, Viktória Malá, Kristína Miklovičová, Hana Gallinová
Predstavenie skúma základný element medziľudských vzťahov. Dôvera je spojením viery a rizika, pretože sa vždy vzťahuje k budúcnosti. Je to stávka s neistým výsledkom. Prostriedkami súčasnej pohybovej reči choreografia tlmočí budovanie a strácanie dôvery interpersonálnej či systémovej, rovnako ako sebadôvery a dotýka sa aj témy manipulácie.
video:
OPENCALL
Students performance of Academy of Performing Arts in Bratislava
Choreography: Stanislava Vlčeková
Director: Jozef Vlk
Costume: Dorota Wolfová
Performers: Viktória Komolíková, Alica Kuchtová, Silvia Sviteková, Matúš Szeghö, Lukáš Záhorák, Jozef Vaľo
OPEN CALL je stav nevyliečiteľnej samoty, ku ktorej je odsúdená každá ľudská bytosť. Tak isto ako priateľstvo, nemá žiaden duchovný význam. Odmietnutie priateľstva je nielen rozumné, ale priam nutné. Jediný možný duchovný vývoj spočíva v hĺbke. Neexistuje žiadna komunikácia, pretože neexistujú žiadne prostriedky komunikácie. A aj keď sa dostaví vzácna príležitosť, kedy sa slovo s gestom náhodou ukážu ako pravdivé vyjadrenie našej osobnosti, jeho význam ku druhému človeku nikdy neprenikne, pretože zaniká vo vodopáde jeho osobnosti. Buď hovoríme a jednáme kvôli sebe – v tomto prípade je reč a jednanie zbavené zmyslu rozumom ktorý nie je náš – alebo hovoríme a jednáme kvôli druhým – v tomto prípade hovoríme klamstvá a konáme lživo.
“Človek klame celý dlhý ľudský život, obzvlášť tým, ktorí ho milujú a predovšetkým tomu cudzincovi, ktorého opovrhnutie by nás bolelo najviac – sebe samému.”
Marcel Proust
UP SIDE DOWN
Performance during festival White Night in Bratislava
This performance was performed by collective Performative reserve in the instalation The Big Mass on the lighting festival White Night 2019 in Bratislava
Performative reserve: Silvia Sviteková, Matúš Szeghö, Hana Galinová, Viktória Komolíková, Rebecca Smudová, Mária Lazúrová, Viktória Malá, Kristína Miklovičová, Lukáš Zahy, Jozef Vaľo, Alica Šaling
“Podstatou nafukovacích objektov je vzduch, nie plast.”
Naplniť, zabrať a vymedziť priestor pre ojedinelú udalosť. Stret kolektívu s verejnosťou. Skrz i osobne. Podstatou všetkej akcie je prítomnosť a bytie. Sami sebou s okolím bez okolkov vytvárajúc niečo, čo vyprchá, spľasne, no niekde navždy zostáva. Sebaprezentácia vždy podlieha istej premene v niečo, niekoho. Premena je podstatou bytia.
FLIP FLOP
make or break
Choreography: Silvia Sviteková
Music: Bachar Mar-Khalifé
Performers: Karol Regéci, Lukáš Zahy a Miriam Budzáková
The trio is not only about flip-flops, popular summer shoes, but also about the lures that are hidden behind everyday things of common use.
more about the project:
BODIES GARDEN - DREAMLAND
Students performance of Academy of Performing Arts in Bratislava
Choreograph: Francesca Zaccaria
Performers: Viktória Komolíková, Miriam Budzáková, Rebecca Smudová, Alica Kuchtová, Silvia Sviteková, Lukáš Zahy, Jozef Vaľo, Matúš Szeghő a Michal Freriks
